Book Title: The Refuge Bid (County Durham Quad 8)
Author and Publisher: Jude
Release Date: August 1,
Genre: Contemporary crime/mystery, gay male
Tropes: Cold case investigation, self-awareness journey
Themes: Asexual/sexual relationships, respect and working
Heat Rating: 2
Length: 64 000
The crime/mystery stands
The story does not end on a
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You’re tellin’ me that if this
shiter buys St Stephen’s, there’s a chance we won’t have access to the graveyard! Over my
The Refuge Bid is a gay mystery and relationships tale set in
fictional Tunhead, northeast England.
Is there a link between a woman who has been missing for
ten years and the people bidding to buy and redevelop Tunhead’s decommissioned church
and graveyard? Can the County Durham Quad and their special friend, Nick, find out and
stop the sale—one grave is special—and can they raise the cash to counter the bids with an
offer of their own? Success involves their drawing on Tunhead’s quarrying industry past and
on employing their very different skills but, also, they must acknowledge what it is that they
really want from their unusual liaison.
Trigger Warning: references to a teenager’s suicide
and to conversion therapy.
Check out the other books in the County Durham Quad series:
Mike Angells is an openly gay CID inspector based in North East England. There are three
men in his life: Raith Balan, Phil Roberts and Ross Whitburn. Mike is particularly close to
Anxiety, but mounting relief. Those were his feelings as he
stamped down the final clod of earth and smoothed the surface. Some stones and bricks
would lie around but who would pay attention to a scattering of those in a place like this?
You wouldn’t give them a second glance. So, he’d done it! Literally buried a problem and no
one would be any the wiser.
And nobody was until, years later, a group of men from
County Durham started digging up the past.
The Beck on the Wear Arts Centre, known for ease and for
effect as BOTWAC, and the brainchild of Ross Whitburn-Howe. Ross lay in bed and mentally
ticked off items linked to BOTWAC’s Easter re-opening. People could visit all year round if
they wished to, but the Centre’s location at the end of the lane that wound steeply up to
Tunhead in the Durham hills was an icy deterrent during winter. Come spring, though,
Tunhead shook off winter’s cold discomforts and looked and sounded full of life—even
where it harboured death, for Tunhead had a church with a graveyard.
It might be asked why a tiny village that had never been
home to more than a hundred people at any one time should boast a church, let alone a
graveyard. The church was a gift from the family who, two centuries past, had owned the
limestone quarry that led to Tunhead’s existence. The workers should have Sundays off,
provided they prayed and listened to sermons instead, and as the nearest church was a ten
mile walk from the row of terraced houses, it seemed sensible to offer an alternative on-site
as it were. So, called St Stephen’s after the patron saint of stone masons, the church was
used by the quarrymen, their families, the tenant farmers and farmhands who worked the
fields adjoining the lane and by the old landowners themselves. St Steve’s was still
consecrated although, now, disused. That didn’t mean that the graveyard had become a
dismal ruin. Like the rest of the village, it looked neat and tidy, spring flower-full and ready to
“Yes!” thought Ross. “Everything sorted. Publicity placed
with the tourist board, leaflets ready for distribution, programme of events arranged, social
media angles covered, and bookings already coming in for the workshops and for August’s
week-long pottery festival.”
The man who lay beside him stirred, opened and rubbed
two sleepy eyes and said, “Mornin’, Gorgeous.”
“Morning, Mike.” Ross smiled and returned the squeeze
that followed the greeting. He snuggled down to enjoy a few more minutes’ warmth in bed.
A hair dryer whirred into action from the bedroom across the landing.
“That Raith doin’ his hair? Better get a move on before he’s
down and nickin’ me breakfast sausages.” Mike got up, pulled on a pair of boxers and went
The ‘Raith’ was Raith Rodrigo Roberts-Balaño—known as
Raith Balan: sculptor of erotic art and wearer of exotic clothing. The ‘Roberts’ section of his
name was the surname of his husband, Phil, who in comparison with Raith was extremely
conventional, and a surgeon. Phil was breakfasting on yoghurt, fruit and wholemeal bread
when Mike entered the sunny kitchen.
“Mornin’ Phil.” A kiss on the cheek and a hug around the
shoulders. Returned with a grin and a “Morning.”
And so, Ross, Mike, Raith and Phil looked forward to March
with the optimism produced by mutual affection and the promise of spring.
About the Author
Jude Tresswell lives in south-
east England but was born and raised in the north, and that’s where her heart is. She is ace,
and has been married to the same man for many years. She feels that she understands
compromise. She supports Liverpool FC, listens to a lot of blues music and loves to write